The Soliloquy

The soliloquy is a dramatic device often used in literature and theatre, where a character speaks their thoughts aloud, usually while alone on stage. This dramatic device is used extensively in theatr...

Sentimental Comedy

Sentimental comedy is a genre of theatrical comedy that emerged in the 18th century as a reaction against the more cynical and morally ambiguous comedies of the Restoration period, offering a more opt...

Comedy of Manners

Comedy of Manners, also known as Restoration Comedy, is a genre of English comedic plays that emerged during the Restoration period (1660-1710) after the end of the Puritan ban on theatre. This genre ...

Comedy of Humours

Comedy of Humours is a type of comedic play that explores the idea of characters being dominated by a particular "humour" or temperament. Humours were a concept derived from ancient Greek and Roman me...

Under Fire

Laurence Housman is a prolific playwright, writer and illustrator. Under Fire, one of the best of his one-act plays portrays a sensational episode in the life of Queen Victoria during the early period...

The Pie and the Tart

Hugh Chesterman is a British author who wrote several children's books in the 1920s and 1930s. He and his friend Basil Blackwell edited a children's magazine, The Merry Go Round, published in Oxford. ...

The Brink of Silence

Esther E Galbraith's one-act play The Brink of Silence is based on the theme of an expedition to Antarctica. The process of looking for information and resources is called exploration or expedition. N...

The Dear Departed

William Stanley Houghton was an English dramatist who was a prominent member of a group of playwrights known as the Manchester School of Dramatics. He was influenced strongly by Ibsen. Houghton's play...

One-act Play

A one-act play is a theatrical performance that consists of a single act or scene, usually lasting around 30 minutes to an hour. Unlike traditional plays, which are divided into multiple acts, a one-a...

Naga-Mandala

The play Naga-Mandala is based on the two oral stories from Karnataka that the playwright Girish Karnad heard from his mentor, Professor A K Ramanujan. Karnad through the play exposes the exploitation...
Enable Notifications OK No thanks